Eddi Reader
Country of origin:
Scotland
Type of music generally:
alternative and mainstream pop with folk and traditional influences
Status:
Most recent studio release, Eddi Reader Sings the Songs of Robert Burns, 2003; Kufala has also just released a set of 4 "authorized bootlegs" of concerts from 2003.
See also:
Eddi Reader's siteThe Ectophiles' Guide's entry for Fairground Attraction, the band Eddi Reader was with before going solo.
Comparisons:
Mary Black, Judie Tzuke
Covers/own material:
A mix of her own, covers, with some traditional songs
General comments:
Eddi Reader has a wonderful, caressing voice. (jbr@casetech.dk)Eddi Reader has a careworn yet playful voice with a vibrato and an accent that make me melt. (paul2k@aol.com)
Recommended first album:
Mirmama
Recordings:
- Mirmama
- Eddi Reader
- Candyfloss And Medicine
- Angels & Electricity
- Eddi Reader Live
- Simple Soul
- Driftwood
- Eddi Reader Sings The Songs of Robert Burns
- Eddi Reader Live: Edinburgh, UK 22.05.03
- Eddi Reader Live: Newcastle, UK 24.05.03
- Eddi Reader Live: Leeds, UK 26.05.03
- Eddi Reader Live: London, UK 05.06.03
Mirmama
with the Patron Saints of Imperfection
Release info:
1992--BMG (U.K.)--PD 75156 [CD]
Availability:
Wide in U.K.
Ecto priority:
Very highly recommended
Group members:
Eddi Reader--vocals, concertina
Guest artists:
Roy Dodds--drums, strange percussion
Phil Steriapulos--double bass
Neill MacColl--guitars, piano, backing vocals, autoharp, mandolin
Dominic Miller--guitars
Huw Warren--cello, accordion, piano, vibraphone
Aly Bain--fiddle
Kim Burton--accordion, Hammond
Jools Holland--Hammond, piano
Calum MacColl--penny whistle, zither, dulcimers
Produced by:
Eddi Reader and the Patron Saints of Imperfection
Comments:
Very nice album, though perhaps too soft for some tastes. (jbr@casetech.dk)It is pretty darn good. (iflin@speakeasy.net)
In my lifetime top five. (lissener@wwa.com)
I can thoroughly recommend it. It has more of a band feel to it than her later, solo, records but isn't poppy like the two Fairground Attraction albums. It could be my favourite Eddi Reader album. (nightwol@dircon.co.uk)
This is absolutely my favourite Eddi Reader disc--the band sound here gives all her songs a liveliness that to me is missing from both her later solo work and her earlier work with Fairground Attraction, all of which I find a little sweet for my tastes. I love her version here of the traditional song, "The Blacksmith". This whole album shows off her wonderful voice in a setting that I appreciate more than her softer, less quirky work. (Neile)
Eddi Reader
Release info:
1994--Warner (U.S. and U.K.)
Availability:
Wide
Ecto priority:
Recommended for those who like more mainstream pop
Group members:
Eddi Reader--tambourine, vocals, backing vocals
Guest artists:
Curt Bisquera--drums, shaker
Teddy Borowiecki--organ, guitar, piano, accordion, keyboards
Roy Dodds--drums
Jon Ingoldsby--backing vocals
L. Katia Ingoldsby--guitar
E. Mark Levin--guitar
Dean Parks--guitar, percussion
Greg Penny--percussion, drums
David Piltch--bass
Mark E. Nevin--guitar
Katia Lempkowicz--backing vocals
Produced by:
Greg Penny
Comments:
I'd been looking for this for ages and only found it a couple of weeks ago. It was worth the wait. I think it is (in my opinion) well worth having. A bit uneven compared to the Patron Saints of Imperfection album but it showcases Eddi's superb voice to excellent effect and the first (UK) single "Patience of Angels" is just great! The album doesn't maintain that level of excellence throughout, though. Eddi's voice is the main attraction here and it comes over very well. The songs are a solid and consistent set, and the band never fail to come up with the goods, but this is very much a vocal showcase for Eddi and succeeds on those terms. Her wonderful voice is prominent throughout. (nightwol@dircon.co.uk)This is right on the edge of my sweetness tolerance, and I simply can't listen too it very often, unlike Mirmama. I had the same experience with her Fairground Attraction work. (Neile)
i thought this was only okay, and not as good as Mirmama. (iflin@speakeasy.net)
Some great cuts, some good, but none were weak. Great to listen to. (mundopax@ingress.com)
Candyfloss And Medicine
Release info:
1996--Warner
Availability:
Wide
Ecto priority:
Recommended for those who like more mainstream pop
Group members:
Eddi Reader--acoustic guitar, harmonica, concertina
Guest artists:
Teddy Borowiecki--organ, bass, piano, accordion, bass, glockenspiel, electric guitar, keyboards, Hammond, timbales, melodica, Fender Rhodes, string arrangements, wurlitzer, music box
Bernard Butler--electric guitar
Roy Dodds--drums, tambourine, Peruvian percussion
Martin Green--soprano sax
Boo Hewerdine--acoustic guitar, percussion, electric guitar, rhythm guitar
Calum MacColl--dulcimer, acoustic guitar, guitar, electric guitar, backing vocals, zither, penny whistle
Dominic Miller--electric nylon string guitar
David Piltch--bass
Anthony Thistlethwaite--mandolin
Annie Whitehead--trombone
Jules Singleton--string arrangements
Electra Strings--strings
Produced by:
Eddi Reader and Teddy Borowiecki
Comments:
This is a quietly disturbing album with all sorts of dark thoughts hidden away beneath the surface and behind even the lighter moments. Highly recommended for excellent songs, co-written by Eddi with Boo Hewerdine and/or Teddy Borowiecki, Eddi's fabulous voice and atmospheric work by the band.
With the additional tracks on the U.S. release, the mood of the album is now even more closely focussed on recurring themes of ill-health and "medicine" (not always of the prescribed or proscribed varieties!), relationships awry and bittersweet nostalgia.
On first hearing, the laid-back approach and moderate tempi may give the impression that Eddi has whipped up a candyfloss confection from hardly any ingredients, but as the subtle tracks (mostly co-written with combinations of her regular collaborators Boo Hewerdine, Teddy Borowiecki and Calum MacColl) imprint themselves on the brain and the arrangements reveal their glories, the strength and depth of this album will become apparent...and the effect is ultimately much more uplifting than the subject matter might suggest.
From the breezy youthful busking of 'Glasgow star' and the heart stopping chord change in the chorus of 'Rebel angel', on through the medical metaphors of 'Sugar on the pill', 'Medicine' and 'Shall I be mother', to the bleak philosophical musing of 'Butterfly jar' and the filmic narrative of 'Darkhouse' every shift and re-occurrence of mood is caught by Eddi's clear and expressive voice.
All this is underpinned by sensitive drumming from Roy Dodds (who has drummed for Eddi since her Fairground Attraction days) and the acoustic guitar of Boo Hewerdine (perhaps best known stateside for his collaboration with Darden Smith). Teddy Borowiecki's keyboards and arrangements and David Piltch's bass (both recently heard to great effect on k d lang's Drag, which, incidentally, includes a song Boo co-wrote with Gary Clark and Neill MacColl) complete the core of the excellent band.
This is an album which can be said to be essential for lovers of subtle, exquisite "acoustic" singing and songwriting. (DOVERAL@lib.bham.ac.uk)I agree with every detail. I also was initially unimpressed with the album--Eddi Reader was such a profound disappointment after the once-in-a-listener's-lifetime genius of Mirmama, and I expected the worst from Candyfloss And Medicine. So I didn't give it much of a chance. A couple months ago I got it out again after nearly a year of ignoring it, and was floored. It's no Mirmama, but then Mirmama's in my lifetime top five: An album can be "no Mirmama" and still be one of the best albums released last year, like Candyfloss And Medicine. (lissener@wwa.com)
I've heard some bits of this and liked it, though it seems a bit mellow. Not as sparkling as my favourite First of a million kisses. (Marion)
i've listened to eddi reader's latest a number of times and like it. it's a deceptive album, very subdued. the first couple listens were disappointing since the first track is so wonderful, but the rest of the album is relatively mellow and not terribly involving. more listens though have proven it quite nice and rewarding in the long run. (woj@smoe.org)
I like this one. (Riphug@aol.com)
Eddi Reader Live: London, UK 05.06.03
Release info:
2003--Kufala--KUF0039
Availability:
See Kufala's website for availability
Ecto priority:
Recommended for fans of Eddi Reader
Group members:
Eddi Reader--vocals, guitar
Guest artists:
Boo Hewerdine--guitar, vocals
Graham Henderson--accordion, whistle, mandolin, guitar, vocals
Christine Hanson--cello, vocals
Colin Reid--guitar
John McCusker-fiddle, whistles
Comments:
A double-disc set that mixes Reader's recent versions of Robert Burns with old favourites in an intriguing way. The mix of Reader's onstage banter and well-played songs makes for a good listen. Her disarming sense of humour comes through and her singing has rarely been better. Makes me want to see her live.
The highlights for me was "My Love is like a red red rose" "Patience of Angels" and a rousing "Perfect". I have a feeling it's a record that will suit fans of Reader better than those who've never heard her before. Her first solo record is a better introduction.
Still, it's a nice listen either way. (stjarnell@yahoo.com)
Further info:
Eddi Reader has a long history of doing backing vocals for many groups and artists, including: Thomas Dolby ("Astronauts and Heretics"), the Associates ("Perhaps"), John Foxx ("In Mysterious Ways"), Laurie Freelove ("Smells Like Truth").
Thanks to Jens P. Tagore Brage and Anna Maria Stjärnell for their work on this entry.
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