Country of origin:
Type of music generally:
Most recent release, "Summer" (single, as AlfaBeth, 2015); most recent full-length release, Wholehearted (2007)
I do like Beth Hirsch's album Early Days very much...I picked Beth's album up because she was the haunting voice on a couple of Air's moon safari tracks. The album reminds me a bit of Lori Carson's Stars. There is also a 4-song ep called P-Town Rubies but I would recommend starting with the full length. (email@example.com)
Recommended first album:
Wide on release
Beth Hirsch—vocals, guitar
Romain Humeau & Marc Collin—all instruments on 3 tracks
A 4-track ep, with two versions of the title track and two other songs. "Camden" is very like the songs on Early Days. "P-Town Rubles" has the verve (and then some) of "Come A Day" from Early Days and "Minor's Son" (does she mean miner's?) is a haunting song. (Neile)
2001—!K7 Records—!K7107 CD
Beth Hirsch—vocals, acoustic guitar
Steve Musters, Alex Pilkington, Simon Shippey, Mark Tucker—bluesound productions 5 tracks)
5 tracks by Bluesound Productions, 1 by Jackson, 4 by Black Dog Productions; François Millet, executive producer
The songs on this album are a little more perky, less dreamy, than on Early Days. Part of this may be more programming in the production, and partly that the songs feel a little more hook-focused. The title track is a particularly good example of this. "Nest Sensation" is a totally pop song. All in all this album is more varied and lively than her previous solo work. (Neile)
2001—!K7 Records—!K7091 CD
Low-key tunes—rainy day mood music—with lovely swinging vocals. In general the songs are mostly similar in sound and feel, but very pleasant and Beth Hirsch's vocals are winning. "Come A Day" especially has a lovely energy. (Neile)
DISCLAIMER: Comments and reviews in the Ectophiles' Guide are excerpted from the ecto mailing list or volunteered by members of the list. They are the opinions of music enthusiasts, not professional music critics.
|Entry last updated 2017-04-12 21:25:16.
Please request permission if you wish to
reproduce any of the comments in the
Ectophiles' Guide in any context.
The Ectophiles' Guide to Good Music is copyright © 1996-2004 by the editors.
Individual comments are copyright © by their authors.
Web site design and programming copyright © 1998-2004 usrbin design + programming.
All rights reserved.