Anam
Country of origin:
Ireland and Scotland
Type of music generally:
Traditional and contemporary folk
Status:
Most recent release, Anam Box (compilation, 2005); most recent studio release, Tine Gheal/Bright Fire (2000)
See also:
AllMusic's Anam page
Comparisons:
Capercaillie, Loreena McKennitt. (Yves.Denneulin@imag.fr)
Covers/own material:
Both—each album is split between new arrangements of traditional tunes and original compositions.
General comments:
The band is composed of a guy playing bouzouki, a girl playing accordion and whistle, a singer/guitarist and the female lead singer. When I saw them live, they played more than two hours and most of it was really great. I especially liked the singer's voice which sounded like a blend between Karen Matheson (Capercaillie's singer) and Joan Baez.
Anam's lineup has changed for all albums. The core for the last three albums was Aimée Leonard, Brian ó hEadhra and Treasa Harkin. On the last album Neil Davey joined them. Aimée left the band at the end of the Riptide tour, she will be replaced by a fiddle player and a new vocalist.
Even though their records are good, they are mainly a live band. They have enough energy to warm a penguin convention. :-) Their originality lies in the fact that their vast range of instruments enable them to cover different areas of folk music, from the intimate ballad carried by Aimée's voice to polka tunes or speedy reels. (Yves.Denneulin@imag.fr)
Comments about live performance:
They put on a very impressive show, playing a mix of traditional Irish, Scottish and Cornish tunes along with some original tunes and songs. I hadn't heard any of Anam's music before, and though I wasn't blown away like I was the first time I saw Solas or Altan I'll probably go and see them again the next time they come by. (mcurry@io.com)
Recommended first album:
Saoirse
Recordings include:
- Anam (1994)
- Saoirse (1995)
- First Footing (1996)
- Riptide (1998)
- Tine Gheal/Bright Fire (2000)
- Anam Box (compilation, 2005)
Anam
Release info:
1994—Anam Records—CACD 01
Availability:
Available in the U.K.
Ecto priority:
Recommended for fans of traditional folk
Group members:
Brian ó hEadhra—guitar
Myles Farell—bouzouki
Aimée Leonard—voice
Saoirse
Release info:
1995—Anam Records—CACD 02
Availability:
Available in the U.K., but copies are now limited
Ecto priority:
Recommended for fans of traditional folk
Group members:
Brian ó hEadhra—vocals, acoustic guitar, 12 string guitar, bodhrán, harmonica, keyboard, whistle, mandolin
Aimée Leonard—vocals, bodhrán, oboe
Myles Farrell—bouzouki
Guest artists:
Gerry O'Beirne—acoustic guitar
Produced by:
Brian ó hEadhra and Aimée Leonard
Comments:
The first album with Aimée, recorded shortly after she joined the band. This remains my favourite because it is the one with the most discreet production so it has a sound close to the live one where they are best, I think. (Yves.Denneulin@imag.fr)
First Footing
Release info:
1996—JVC music—JVC-9011-2
Availability:
Wide
Ecto priority:
Medium
Group members:
Brian ó hEadhra—vocals, acoustic guitar
Aimée Leonard—vocals, Bodhrán, shaker, djembe, whistle
Treasa Harkin—button accordion
Guest artists:
Myles Farrell—bouzoukiGerry O'Beirne—acoustic guitar, nylon string guitar, national steel guitar, ukulele
Catriona MacDonald—fiddle
Conrad Ivitsky—double bass
Produced by:
Gerry O'Beirne
Comments:
This is their first album with a major label. The production is "smoother" sometimes lowering spontaneity. The design of the sleeve is also much more elaborate with translations etc.
The impression I get is that they are discovering new fields with this album and haven't decided yet what tracks they want to follow. (Yves.Denneulin@imag.fr)
Riptide
Release info:
1998—JVC music—JVC9034-2
Availability:
Good
Ecto priority:
High
Group members:
Brian ó hEadhra—vocals, acoustic guitar
Aimée Leonard—vocals, bodhrán
Treasa Harkin—button accordion
Neil Davey—mandolin, bouzouki
Guest artists:
Conrad Itvinsky—double bass, stick bass
James Mackintosh—drums, percussion
Rory Campbell—whistles
John Martin—fiddle, viola
Rory McLeod—harmonica
Phil Bancroft—soprano and alto saxophone
Calum Malcolm—keyboards
Produced by:
Calum Malcolm
Comments:
Their last album to date, this is probably the most ear-catching. It is a good example of the various kinds of music they play, and they are now mature enough to go to the end of their choices. The atmosphere between the songs changes dramatically which is not so common in folk music. If you prefer production over a rough sound go for this one instead of Saoirse. (Yves.Denneulin@imag.fr)I listened to the first two songs at Borders and liked them. However, the rest of the disc does little for me. I guess part of my problem was I was expecting another Altan. It's good, though, to hear another version of "Westlin' Winds". Then after I bought it I heard that the lead singer quit. Bummer. Her voice is what attracted me to the group. I guess I will stick with Altan. (Matt.Bittner)
Thanks to Yves Denneulin for work on this entry.
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