Mary Jane LamondCountry of origin:Canada Type of music generally:Traditional (and trad-based) Celtic, mainstream pop Status:Most recent release, Seinn (with Wendy MacIsaac, 2012) See also:Mary Jane Lamond's site Comparisons:Natalie MacMaster, Ashley MacIsaac Covers/own material:Songs based on traditional material. Mary Jane Lamond does some arrangements and wrote the music for "Crodh Air A' Bhruaich," a song on Làn Dùil. General comments:Mary Jane Lamond is the only Celtic singer I know (not that I am a Celtic music expert) whose entire repertoire is in Gaelic, and I think that alone sets her apart as someone very interesting. Especially since she is not a native Gaelic speaker. She grew up in Canada and spent summers in Cape Breton (Nova Scotia) where her family was from. This spurned her interest in Gaelic music, and she learned the language and the music. Fortunately, her voice is also beautiful, and her music is beautiful and interesting too. Almost entirely traditional and traditionally-based, her 2nd (Suas e!) and 3rd (Làn Dùil) albums foray into mixing the traditional with more contemporary, pop elements. (JoAnn Whetsell) Comments about live performance:Another entertaining show, especially the rousing thigh-slapping fiddle numbers, including "Sleepy Maggie". Her fiddler, Wendy MacIsaac, lacks the commanding stage presence of her cousin Ashley MacIsaac, but none of the talent. It was an absolute joy to see her play the fiddle. Mary Jane Lamond puts on some pretty good shows. Her songs are entirely in Gaelic, so if lyrics are a big thing with you she might not be for you. She seems to be at her best when singing fast, high-energy songs with Wendy MacIsaac playing blistering fiddle beside her. While fun I wouldn't necessarily classify her as essential ecto listening, but if you're a fan of Celtic music then you should go to Mary Jane Lamond's show. (kamesan@geocities.com) Recommended first album:Bho Thìr Nan Craobh for fans of the traditional and Suas e! for those who liked the traditional mixed with the contemporary. Recordings:
Bho Thìr Nan Craobh (From the Land of the Trees)Release info:1996?—B&R Heritage Enterprises, P.O. Box 3, Iona, Nova Scotia, CANADA BOA 1LO—BRCD0001 Availability:See Mary Jane Lamond's site Ecto priority:Highly recommended Group members:Mary Jane Lamond—vocals, traditional vocal arrangements Guest artists:Al Bennett—guitar, bass, 6 & 12 string guitars, musical arrangements Produced by:Al Bennett; executive producers Brian & Rosemary McCormack Comments:This is gorgeous. It's the most traditional of her albums and has a simple, uncluttered feel. Many of the songs are a cappella with a trio of vocalists so they work as a call-and-response sort of thing. Those songs are really neat (and I am not an a cappella lover) and they give a kind of feel for what role this music might have played in the Cape Breton community. These tracks are interspersed with songs with instrumentation, mostly guitar and piano, some fiddle by Ashley MacIsaac. Track 11 has the same melody as part of track 2 of Natalie MacMaster's album In My Hands but treated quite differently. (JoAnn Whetsell) Suas e!Release info:1997—Turtlemusik/A&M Records (Canada)—09026-63246-2/268 842 000-2 Availability:See Mary Jane Lamond's site Ecto priority:Highly recommended Group members:Mary Jane Lamond—vocals, backup vocals on track 8 Guest artists:James Gray—keys, keyboards Produced by:Philip Strong and Laurel MacDonald Comments:A lot more instrumentation, but still some a cappella tracks and fairly traditional still, although mixing the traditional with more contemporary pop elements. How many songs feature both electric guitars and spinning wheel sounds and make it work? Several songs have these "community sounds" (for lack of a better phrase)—loom and spinning wheel sounds, stepdancing, hand clapping/foot stomping. (JoAnn Whetsell) Làn DùilRelease info:1999—Turtlemusik—26884-20042 Availability:See Mary Jane Lamond's site Ecto priority:Highly recommended Group members:Mary Jane Lamond—vocals Guest artists:Brad Davidge—guitars, electric guitars Produced by:Phil Strong Comments:The least traditional of her work, but this is another gorgeous album. I've gotten a chance to listen to it a few times now, and I really like it, and I like it more and more each time I listen to it. So rich and gorgeous, the album booklet too. Something in it reminds me of a tapestry, but I can't say just how. And even though it's not "traditional," it doesn't feel "untraditional" either. It's like the music is a living language (which of course music is) and this treatment of it is one stage in its evolution. I don't know how to explain it. But if you liked Suas e! you will like this one. There is one a cappella song at the end similar to the ones on the previous albums, with the same vocalists as chorus and the hand clapping/foot stomping. And the track with the chorus of children is utterly charming. (JoAnn Whetsell) Òran Ghàidhlig: Gaelic Songs of Cape BretonRelease info:2000—Turtlemusik—02 50889 Availability:See Mary Jane Lamond's site Ecto priority:Highly recommended Group members:Mary Jane Lamond—vocals Guest artists:Marianne Jewell—piano, singing Comments:It is pretty much in the traditional vein. It has a great video included as well. (jsutton@rahul.net) StòrasRelease info:2005—Turtlemusik—02-06363 Availability:See Mary Jane Lamond's site Ecto priority:Highly recommended Group members:Mary Jane Lamond Guest artists:Geoff Arsenault—percussion Produced by:Philip Strong Comments:Mary Jane makes albums that are so easy to listen to, her beautiful voice carrying you from song to song. Stòras has elements of her previous albums—the energy of Suas e!, the production of Làn Dùil, the simplicity of Gaelic Songs. But it seems freer in a way too, and the line between the traditional and the contemporary is drawn even thinner than before. (JoAnn Whetsell) Further info:Mary Jane Lamond's songs appear on the soundtrack to The Hanging Garden and the following compilations: Celtic Colours International Festival: Forgotten Roots, Celtic Colours International Festival: The Road, Celtic Colours International Festival: The Second Wave, Celtic Tides, Brave Hearts: New Scots Music, Celtic Moods, Women of the World: Celtic II, Celtic Collection, and the Moods Box Set. She sang a song called "Sleepy Maggie" on Ashley MacIsaac's album Hi How Are You Today? that also appeared on the Putumyo collection Celtic Women of the World. She also sang on the Chieftain's album Fire In the Kitchen. Thanks to JoAnn Whetsell for work on this entry.
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