Sara Ayers
Country of origin:
U.S.
Type of music generally:
An interesting blend of ethereal alternative pop with evocative/eclectic influences, ambient soundscapes, and experimental performance art. (Neile)
Status:
Most recent release, Thrice Thy Heart Shall Broken Be (collaboration with Jeff Sampson, 2006); most recent solo release, A Million Stories (2005)
See also:
Sara Ayers' web siteSara Ayers is also in a band, Axe Iron Suns.
Comparisons:
A mix of Jane Siberry, Meryn Cadell, and Virginia Astley. (Neile)
Covers/own material:
Own, occasional trad and co-writing
General comments:
Mellow vocals with intriguing lyrics, interesting, creative sonic backgrounds.... Sara Ayers has some Jane Siberry-esque moments, but more like a not-comedic-minded Meryn Cadell in sound and play between spoken word and songs. Some of the soundscapes are rather like Virginia Astley's and the pop sound is not unlike hers sometimes. (Neile)
Recommended first album:
Voices
Recordings:
- Flourochrome (cassette only, 1985)
- Voices (1997)
- Sylvatica (2000)
- Sara Ayers: The Figura Remixes (remixes, 2001)
- Drowning in Light (2001)
- Interiors (2001)
- A Million Stories (2005)
- Thrice Thy Heart Shall Broken Be (w/ Jeff Sampson, 2006)
Voices
Release info:
1997—Dark Wood Recordings, PO Box 1876, Albany, NY 12201, U.S.A.—CD010
Availability:
Mail order from label or online sources
Ecto priority:
Highly recommended
Group members:
Sara Ayers—vocals
Guest artists:
Amy Abdou—backing vocals
The Reno Brothers:
Dennis Herbert—guitar
Michael Eck—mandolin
G.C. Haymes—harmonica
Comments:
This is more than just voices, but voices (even instruments' voices) are the focus. You'd be forgiven for thinking of Jane Siberry when this album begins—it sounds a little like Bound By the Beauty, but soon becomes more electronic. The following track begins with a spoken word section that is a little Jane Siberry-esque at first, but it to quickly takes a different turn as Sara Ayers starts singing and the song changes feel a bit. From there on the album has few echoes—except of itself. There is one track, "The Waiting Room" that reminded me of Meryn Cadell—but the album isn't like one of hers either, and not just because it isn't humorous. Sonically, lyrically, and vocally intriguing—what more could you ask? Lovers of the female voice will love this mixture of music and vocals and some spoken word. (Neile)
Sylvatica
Release info:
2000—Dark Wood Recordings—011
Availability:
Mail order from label or online sources
Produced by:
Sara Ayers
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Ambient |
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