Kate RusbyCountry of origin:England Type of music generally:Traditional and neo-traditional folk Status:Most recent release, The Frost Is All Over (seasonal, 2015); most recent release of non-seasonal material, Ghost (2014) See also:Kate Rusby's site Comparisons:Bill Jones, Jackie Oates, Karine Polwart Covers/own material:Traditional, covers of neo-traditional songs, and more and more recently, her own compositions General comments:Kate Rusby has a lovely, raspy voice and clear delivery. Though I was initially very enthusiastic about her work, her song interpretations haven't worn that well over time for me—to me, her songs all sound the same, whether they're purely love songs or violent murder ballads. I can't tell if they're meant to be sweet or tragic or violent from the way she sings the songs or frequently from the arrangements. I do still enjoy her voice and her take on songs I've heard elsewhere. She's not as powerful as Sandy Denny or edgy as The Unthanks or raw as Eliza Carthy, but certainly her renditions are more lively than the smooth uninteresting prettiness that dominates most of this genre. Recommended for fans of traditional folk. (Neile) Comments about live performance:I saw Kate Rusby at a small venue in Ann Arbor last thursday and it was a great show. She played for over 2-1/2 hours with only a short break in the middle. She and her two bandmembers (one her husband, John) are very funny, telling little stories and jokes between songs. Anyone who likes English trad-folk should try to see them. (4/02, cdavis@tir.com) Recommended first album:Any—they're quite similar Recordings:
HourglassRelease info:1998—Compass Records—7 4255-2 Availability:Wide Ecto priority:Recommended for fans of traditional folk Group members:Kate Rusby—vocals, piano, guitar Guest artists:Ian Carr—guitar (1, 5, 7, 10) Produced by:John McCusker Comments:It's quite nice—a very pretty collection of mostly traditional songs. I do really liked her version of "I am Stretched on Your Grave." Rusby has a rich, sweet voice, and the traditional songs are simply, acoustically done but sound contemporary (because of the style of her guitar playing?). I like them because they're not New Age-y or bland, which are my major complaints with so many contemporary recordings of traditional songs. (Neile) SleeplessRelease info:1998—Compass Records Availability:Wide Ecto priority:Recommended for fans of traditional folk Group members:Kate Rusby—guitar, piano, vocals Guest artists:Dave Burland—vocals Produced by:John McCusker Comments:yum. Tasty. Must have. Little LightsRelease info:2001—Compass—7 4310 2 Availability:Wide Ecto priority:Recommended for fans of traditional folk Group members:Kate Rusby—vocals, guitar (7, 9) Guest artists:Ian Carr—guitar (1, 2, 4, 6) Produced by:John McCucker Comments:One of my top 10 of 2001. ( mcurry@io.com) The Girl Who Couldn't FlyRelease info:2005—Compass—7 4420 2 Availability:Wide in U.S. and U.K. Ecto priority:Recommended for fans of traditional folk Group members:Kate Rusby—guitar, vocals Guest artists:Roddy Woomble—vocals on 3 tracks Produced by:John McCusker Comments:More of the same. If you like her previous albums, you'll like this one, too. (Neile) The Frost Is All OverRelease info:2015—Pure Records (Yorkshire)—PRCD40 Availability:Wide Ecto priority:Highly recommended Group members:Kate Rusby—vocals and bell Guest artists:Damien O'Kane—guitar, tenor guitar, banjo Produced by:Damien O'Kane and Kate Rusby Comments:This is one of the loveliest Christmas albums in my collection. The vocals, the instrumentation, the song selection (original and less familiar songs and the reimagining of more familiar ones through new arrangements)... it all adds up to something really beautiful and special. (JoAnn Whetsell) Further info:The DVDs Live From Leeds (2004) and Live at Christmas (2013) are also available.
Thanks to JoAnn Whetsell for work on this entry.
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