Search Results To the right are all the artists and groups in the Guide that match your search for 'sam brown'.
Po' GirlCountry of origin:Canada Type of music generally:Neo-traditional and contemporary folk mixed with blues, jazz, and country Status:Most recent release, Follow Your Bliss (2010) See also:Po' Girl's facebook page Covers/own material:Own, some covers General comments:A bit of blues, a lot of folk, and a soulful delivery. Po' Girl makes songs that are at once old-fashioned and contemporary. Founding member Trish Klein is also a member of The Be Good Tanyas, and there's some commonality with their work. (JoAnn Whetsell) Comments about live performance:I don't think there is any limit to how many times I can see them these days. I'll see them at least twice more in 2007 too. They are a Be Good Tanyas offshoot, but I think they have a livelier sound and much cooler arrangements and vocals. (Neal) Recommended first album:Po' Girl Recordings:
Po' GirlRelease info:2003—Hightone Records—HCD 8161 Availability:Wide Ecto priority:Highly recommended Group members:Trish Klein—vocals, acoustic and electric guitar, banjo, harmonica (3) Guest artists:Kenton Loewen—percussion Produced by:Po' Girl with Marc L'Espérance Comments:Probably the most "urban"-sounding of their albums and still my favorite, right down to the hidden cover of "Do You Know What It Means to Miss New Orleans." (JoAnn Whetsell) Vagabond LullabiesRelease info:2004—Nettwerk—0 6700 30386 2 1 Availability:Wide Ecto priority:Highly recommended Group members:Diona Davies—vocals (7); harmonies (3, 4, 13); fiddle; banjo (1, 13); acoustic guitar (7, 10) Guest artists:Shelley Okepnac—drums Produced by:Po' Girl with John Raham Comments:Vagabond Lullabies is a laidback collection of songs, mostly stories about people who are lost or missing something. That may sound like a recipe for melancholy, but it's really not, though the album overall is more down-tempo than their debut. Some of the most beautiful moments on the album are the harmonies on the slower, sadder songs. The band moves seamlessly from city to country and back in both settings and sounds. I love the way they can transition so smoothly from the joyful, toe-tapping sing-along energy of "Movin' On" to the wistfulness of "Backstairs Down," the sadness of "Prairie Girl Gone," and the deceptively upbeat "Walk On and Sing." I'm not generally a fan of spoken word, but I think CR Avery's vocals contribute well to the atmosphere of "Take the Long Way," giving it an urban feel and helping to build the climax. Home to YouRelease info:2007—Nettwerk—30606 2 Availability:Wide Ecto priority:Highly recommended Group members:Allison Russell—vocals, clarinet, acoustic guitar (11), banjo (5, 8) Guest artists:John Raham—drums, percussion Produced by:Po' Girl and John Raham; tracks 3 and 7 co-produced by Chris Brown Comments:On their third album, the group is now a quartet, but still making their unique blend of bluesy urban folk. In some ways the album is more laidback and more subtle than their previous ones, and in other ways it comes closest to capturing the energy of their live performances. (JoAnn Whetsell) Deer in the NightRelease info:2009—Po' Girl Music—PG004 Availability:Wide Ecto priority:Highly recommended Group members:Allison Russell—voice, guitar, banjo, clarinet, flat footing, foot stomps and hand claps Guest artists:Benny Sidelinger—guitar, banjo, dobro, electric bass, Wurlitzer, bicycle bell, foot stomps and hand claps Produced by:Po' Girl with Screendoor (Brian Standefer, Bukka Allen, and Robbie Gjersoe), JT and the Clouds, and Michael Jerome Comments:A truly excellent album and probably their most consistent effort to date. This album dials down the urban influences and is more thoroughly folk, but there are a couple of tracks that venture outside that zone—the Eastern European-influenced "Gandy Dancer," the bluesy "Things We Believe In," and the gospel "No Shame." Also a lovely cover of Julie Miller's "All My Tears" as a bonus track. (JoAnn Whetsell) Thanks to JoAnn Whetsell for work on this entry.
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DISCLAIMER: Comments and reviews in the Ectophiles' Guide are excerpted from the ecto mailing list or volunteered by members of the list. They are the opinions of music enthusiasts, not professional music critics.
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