LowCountry of origin:U.S. Type of music generally:Slow-core, almost ambient alternative pop Status:Most recent release, Double Negative (2018) See also:The Official Low Site Comparisons:Idaho, Red House Painters, Velour 100, Spain Covers/own material:Own, occasional covers General comments:Low is one of the bands that is in the forefront of the whole "slow-core" scene. slow-core is an arbitrary label (aren't all labels arbitrary?) stuck to a bunch of bands that don't really have all that much in common, other than that they play songs that are really mellow and slow. bands that have fallen into this category would be Idaho, Red House Painters, Velour 100, Spain, and of course, Low. very mellow, a distant second cousin to goth, but without the levels of pretentiousness, pancake makeup, and the obsession with all things black and death. Low certainly can write some fantastic songs, songs that make you want to turn all the lights off, sit in the dark and absorb each note, and the space between each note. Comments about live performance:They played a pretty short set, but hey, a little Low goes a long way. All in all, pretty good, but not overwhelming. (neal) Recommended first album:Secret Name Recordings:
I Could Live in HopeRelease info:1994—Vernon Yard Recordings (Virgin)—01794 6 8005 2 5, Yard CD 5 Availability:Wide in U.S. Ecto priority:Highly recommended for fans of slowcore alternative pop Group members:Al—guitar, vocals Produced by:Kramer Comments:A great debut album, and especially a knock-out song about how "Lazy" Sarah is. Kinda double-edged because of their slow-core sound. (Neile) Long DivisionRelease info:1995—Vernon Yard Recordings (Virgin)—017046 8014 2 3 Yard CD14 Availability:Ecto priority:Highly recommended for fans of slowcore alternative pop Group members:Alan—guitar, vocals Guest artists:Kramer—mellotron on one track Produced by:Kramer Comments:I had read about Low a good while back and had always intended to check them out. When I saw Long Division on a couple best of '96 lists, I did. And I'm glad. This is just the stuff my soul needs right now. To say it's slow and quiet is an understatement. This band makes Slowdive sound like speed metal. The beats on Long Division are spaced so far apart, it's as if the drummer had to be reminded what to do. Softly strummed electric guitar feels like the breathing of a coma patient. Fragile male and female vocals range from a gentle murmur to quiet pleading. It's perfect music for overdosing on barbiturates. In many ways, Low reminds me of Rachel's, but less jazzy and impressionistic. (maeldun@i-2000.com) Transmission epRelease info:1996—Vernon Yard Recordings (Virgin)—01704-60016-2-5 Yard CD16 Availability:Wide Ecto priority:Highly recommended for fans of slowcore alternative pop Produced by:3 tracks produced by Kramer, 2 tracks produced by Steve Albini Comments:A five-song ep (+ a hidden instrumental) with a Joy Division and a Supreme Dicks cover. the curtain hits the castRelease info:1996—Vernon Yard Recordings, 104 West 29th Street, New York, NY 10001, U.S.A.—VYD 18 Availability:Wide in U.S. Ecto priority:Highly recommended for fans of slowcore alternative pop Group members:Alan Sparhawk—guitars, vocals, keyboards Guest artists:Steve Fisk—keyboards on 3 tracks Produced by:Steve Fisk Comments:I still like them but they're slower than ever and have never quite produced anything as charming to my ear as "Lazy" their first album. (Neile) finally...epRelease info:1996—Vernon Yard Recordings—VYD 22 Availability:Wide on release Ecto priority:Recommended for Low fans Produced by:Steve Fisk Comments:Songs recorded around the time of the curtain hits the cast. "Prisoner" is almost a jangly tone, off-kilter but as close to pop as Low ever gets. The final track, "Turning Over" harkens back to their first cd, faster (?)-paced and more jaded. (jmgurley@drizzle.com) Songs for a Dead Pilot [ep]Release info:kranky, p.o. box 57843, chicago, il 60657, U.S.A.—kranky 021 Availability:Recommended for Low fans only Ecto priority:Recommended Group members:Mimi Parker—percussion, vocals Guest artists:The Flag Day Strings: Produced by:Low Comments:More of Low's slow rock. Bleak. And there's actually one repeated guitar cord that drive me mad. Still, what Low is doing can be intriguing. Is this a concept album?? (Neile) One more reason to forgetRelease info:1998—Bluesanct Musak, P.O. Box 14149, Chicago, IL 60614, U.S.A.—INRIO40CD Availability:Limited: mail order to label only, query at drekka7@hotmail.com Ecto priority:Highly recommended for Low fans Guest artists:Ida Pearle—violin on 1 track Comments:Live in Louisville, KY on November 6, 1997. owL remix LowRelease info:VYD27 Availability:Wide on release in U.S. Ecto priority:Recommended for Low fans Group members:Guest artists:Remixes by porter ricks, neotropic, tranquility bass, dj vadim, skull valley dub, jimmy sommerville/sally herbert Comments:A sometimes interesting effort to fit Low into a dance format. Half the tracks work and half are just plain annoying, with little of the original left in the mix. (jmgurley@drizzle.com) Secret NameRelease info:1999—Kranky, PO Box 578743, Chicago, IL 60637, USA—krank 035 Availability:Wide in U.S. Ecto priority:Recommended for Low fans Group members:Alan Sparhawk—vocals, guitars, piano Guest artists:The Triple A Strings: Produced by:"Recorded by Steve Albini" Comments:Secret Name has to be one of their best albums released yet. it probably is their snappiest too. you can actually tap your foot to about half the album, and they have written some of their most sublime songs yet. ChristmasRelease info:1999 Availability:At shows or by mail order Ecto priority:Recommended for Low fans Group members:Low Produced by:Low Comments:an ep of the most depressing christmas music you have ever heard. fabulous. now i can add to my holiday blues by listening to Low. i may never recover this year. (iflin@speakeasy.net) Things We Lost In The FireRelease info:2001—Kranky—KRANK046 Availability:Wide at places that carry indie releases Ecto priority:Highly recommended for Low fans or for the curious Group members:Zak Sally Guest artists:Marc D'gli Antoni—piano, keyboards, sampler Produced by:"Recorded by Steve Albini" Comments:Wow. The first Low release in years that actually made me prick up my ears and listen to it and want to listen to it. Dare I say it's actually compelling? Especially the "Dinosaur Act" single. (Neile) TrustRelease info:2002—kranky—krank052 Availability:Wide Ecto priority:Highly recommended Group members:Alan Sparkhawk, Zak Sally, Mimi Parker Guest artists:Gerry Beckley—backing vocals (7, 11) Comments:A step forward into a more pop-orientated sound, but it still has quiet passages. A transitional album. (jmgurley@drizzle.com) A Lifetime of Temporary Relief10 Years of B-Sides & Rarities
Release info:2004—Rough Trade—RTRADCDX195 Availability:Wide Ecto priority:Recommended for Low fans Group members:Alan Sparkhawk, Zak Sally, Mimi Parker Comments:3 discs, including 52 songs, rare, unreleased and live tracks, 1993–2003, plus a double-length DVD that includes all videos to date, live footage and a documentary. Box also includes a 32-page booklet. The Great DestroyerRelease info:2005—SubPop—SPCD 643 Availability:Wide Ecto priority:Recommended Group members:Alan Sparkhawk, Mimi Parker, Zak Sally Guest artists:Dave Fridman—keyboards (2, 3, 8, 10) Produced by:Low and Dave Fridmann Comments:A new label and not so much a new sound for Low as a ramping up. A step forward? A fine-tuning? At points this album is almost pop. Still the identifiable low-fi, and Alan and Mimi's tight harmonies, but with a lushness only touched upon lightly before. While the later half drags a bit (ha!) there are some beautiful songs, including "Silver Ride," "When I Go Deaf" and "On The Edge Of." (jmgurley@drizzle.com) Drums And GunsRelease info:2007—SubPop—SPCD 736 Availability:Wide Ecto priority:Highly recommended Group members:Mimi Parker, Alan Sparkhawk, Matt Livingston Produced by:Low and Dave Fridmann Comments:Short songs, highly structured. No drawn-out drones or slow building dirges. Lyrically, Alan Sparkhawk clearly fights demons—personal as well as political. This is perhaps the first time Low has made full use of stereo-dynamics—instruments and voices came from off-angles rather than straight on, thus acting as a perfect reflection of our disturbing world. Music as a way to address violence? Music as a way to exorcise the destructive? There's not much solace in these songs. A tough but ultimately rewarding listen. (jmgurley@drizzle.com) Further info:Write: Low, P.O. Box 600, Duluth, MN 55805, USA |
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