Nick DrakeCountry of origin:England Type of music generally:Folk/altpop or folk/rock with some jazz influences Status:Nick Drake died in 1974 but there have been several posthumous releases See also:Bryter Music: The Estate of Nick Drake Comparisons:Hard to think of any, but he's had a huge influence on many contemporary folk musicians. Perhaps John Martyn or John Renbourn's early work. Others here mention Jeff Buckley and Kristin Hersh. (Neile) Covers/own material:Own, occasional covers General comments:Nick Drake's music is understated and haunting, more than a bit melancholy. Nick Drake is quiet angst and bluesy/folkie. Low-key. The feel of these albums is very early '70s, so if that kind of orchestration bothers you, it might take you a while to appreciate this music—it's worth the effort, though. This is music that has a greater effect on me than I realize at first—it's powerful in a subtle way. (Neile) Recommended first album:Way to Blue is a good sampler, but the Fruit Tree box set is essential and Five Leaves Left and Pink Moon (both included in the Fruit Tree set) are especially brilliant albums. (Neile) Recordings:
Five Leaves LeftRelease info:1970—Island Records (U.K.)—IMCD 8 Availability:Can be found in U.S. and U.K.. Ecto priority:Essential for folk music fans Group members:Nick Drake—vocals, acoustic guitar, piano Guest artists:Paul Harris—piano on tracks 1 & 8 Produced by:Joe Boyd Comments:Nick Drake's first album. The orchestration and overall sound of this album seem very dated today, but Nick Drake's haunting guitar playing and lyrics are timeless. I find this, together with Nick Drake's other albums, to be perfect for ending a long evening of listening to music: partly because the gentle and melancholy music is well suited to the early hours of the morning, but also because they leave a magic in the air which one can't spoil by playing anything else afterwards. (anthony@csr.lbl.gov) Bryter LayterRelease info:1970—Island Records (U.K.)—CID 9134 Availability:Can be found in U.S. and U.K. Ecto priority:Highly recommended Group members:Nick Drake—vocals, guitar Guest artists:Dave Pegg—bass Produced by:Joe Boyd Comments:A follow up from Five Leaves Left, this album has a similar feel to it but differs in that it has some purely instrumental tracks. I don't find this album quite as inspiring as the first, though I recall reading that John Wood and Joe Boyd considered this to be the best album they've ever produced. (anthony@csr.lbl.gov) Pink MoonRelease info:1972—Island Records (U.K.)—IMCD 94, 842 923 Availability:Can be found in U.S. and U.K. Ecto priority:Essential for folk fans Group members:Nick Drake—vocals, guitar, piano Guest artists:None Comments:This album marked Nick Drake's return to recording after a period of severe depression, and was his last. At only 28 minutes long this album appears to be bad value, until one considers the unequaled intensity and beauty of the music it contains. The songs feature only Nick and his guitar and were recorded over a very short period. Having finished, he refused to let anyone alter the music in any way, and refused to add any more claiming that that was all he was capable of playing. (anthony@csr.lbl.gov) Time of No ReplyRelease info:1986—Hannibal/Ryko—HNCD 1318 Availability:Wide Ecto priority:Highly recommended for Nick Drake fans Group members:Nick Drake—vocals, guitar Guest artists:Richard Hewson—orchestra arrangement and conducting on 1 track Produced by:Frank Kornelussen and Joe Boyd Comments:This is a collection of various songs released posthumously. It contains some long forgotten alternative tracks recorded for Five Leaves Left, some demo and home recordings, and also the last four songs Nick Drake recorded, prior to his death in 1974. By its nature this album is somewhat inconsistent. I particularly like the home recordings, and the last four tracks are utterly stunning. (anthony@csr.lbl.gov) Fruit TreeRelease info:1986—Hannibal/Ryko Availability:Wide Ecto priority:Highly recommended Comments:A box set including Five Leaves Left, Bryter Layter, Pink Moon, and Time of No Reply. Tanworth-in-Arden 1967/68Release info:No date—Anthology (Italy)—Ant. 15.11 Availability:At one time it was fairly easy to find—may be harder to find now Ecto priority:Recommended only for Nick Drake fans Group members:Nick Drake—vocals, guitar Guest artists:Unknown woman—backing vocals on 1 track Comments:This is likely a bootleg, though I found it in a store that doesn't carry bootlegs. Hmm. Anyway, it's a poorly recorded (fuzzy and buzzy) collection of home recordings of Nick Drake doing a bunch of covers and early songs. Any Nick Drake fan will be delighted to have this, though the sound quality might bother some. I don't listen to this often, but when I do I am struck again by Nick Drake's talent. (Neile) Way to Blue: An Introduction to Nick DrakeRelease info:1994—Island (U.K.)—IMCD 196 Availability:Fairly wide Ecto priority:Highly recommended for those who only want a sample of Nick Drake's talents Comments:After hearing raves about him here on ecto I thought I'd pick this up when I saw it used. Definitely nice work. The instrumentation is much better than I expected it to be—and opening with the "Cello Song" definitely helped win me over. His voice reminds me a lot of David Massengill. Definitely nice work. Sounds much more modern than I expected—hard to believe it was recorded about 25 years ago. (jjhanson@att.net) Further info:In addition to the albums listed above, Scott Appel's album Nine Of Swords is also notable. It contains a number of Nick Drake compositions including some that Nick Drake never recorded himself, and was made with the approval of Nick Drake's family. While his guitar technique is excellent, Appel's voice does not, I feel, do justice to Nick Drake's music. This is only really worth getting for those (like me) who feel compelled to obtain every last scrap of Nick Drake music available. (anthony@csr.lbl.gov) Thanks to Anthony Kosky for his work on this entry.
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