Skott FreedmanCountry of origin:U.S. Type of music generally:Pop Status:Most recent release, The Cottage Sessions (2009) See also:Wikipedia's entry on Skott Freedman Comparisons:I don't know of any male performers doing the kind of confessional pop that he does—it's more a folk or women's music tradition. (sophiagurley@hotmail.com) Covers/own material:Own General comments:Extremely earnest soft "alternative acoustic" pop backed by some pretty piano work. His lyrics seem very true-to-life—I wouldn't be surprised if they're pretty much songs from his journal. Honesty and his piano work are the most distinctive features of his stripped-down sound. You could possibly describe him as a very young, male, queer, pop, more lyrically and musically straightforward pop Tori Amos. All of his press talks about his vocal range, but with his slow melancholy sound he needs to work on his ability to hold those notes without going off-key—so I would say the greater draw would be the piano and the out-front, here's-my-heart lyrics. (sophiagurley@hotmail.com) Recommended first album:Any Recordings:
Swimming After DarkRelease info:1999—Rel#SF-001 Availability:Unknown Ecto priority:Recommended for fans of emotional pop Group members:Skott Freedman—piano, vocals Comments:Melancholy songs on which Freedman displays his emotive vocal style and piano stylings. (sophiagurley@hotmail.com) Best Little Boy in the World epRelease info:2000—self-released CD-R Availability:Unknown Ecto priority:Recommended for fans of emotional pop Group members:Skott Freedman—piano, vocals Comments:An ep of his more recent work showing some growth in vocal technique and in songwriting. (sophiagurley@hotmail.com) Some CompanyRelease info:2003—Violent Yodel Music Availability:Unknown Ecto priority:Recommended for fans of alternative pop Group members:Skott Freedman—piano, vocals Produced by:Deane Delli-Bovi Comments:It's a pretty bare-bones record, just Skott Freedman and his trusty piano. His own songs are special. The cover of Marc Cohn's "Walking in Memphis" is nice, but not more. It stays too close to the original to really succeed. Thanks to Sophia Gurley and Anna Maria Stjärnell for work on this entry.
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