Kaki KingCountry of origin:U.S. Type of music generally:Mainly acoustic, instrumental guitar with alternative, pop, rock, and folk, and jazz influences Status:Most recent release, The Neck Is a Bridge to the Body (2015) See also:Kaki King's site Comparisons:Michael Hedges, an acoustic Jimi Hendrix Covers/own material:Own General comments:definitely reminiscent of some of Michael Hedges' less windham-hill moments. (brni @ kappamaki . com) Comments about live performance:as a matter of some thousands of miles and great heaping lacks of money prevented me from making it to the tin angel, i consoled myself by tricking some friends into taking me to a show by someone of whom i had not heard. astute readers will promptly lambaste me as a Bad Student of the Guitar, since apparently one cannot open a recent issue of a guitar magazine (not even the ones with large hairy tattooed men on the covers) without being overcome by the clamor of praise for ms. King. good thing, i suspect, that i was oblivious, 'cuz if i had read some of that before seeing the show, i would have had different expectations, and simply been one of a herd of guitar nerds (some of them large, hairy, and tattooed) who were there to see some GIRL whack a guitar into utter submission. Recommended first album:Legs to Make Us Longer Recordings:
Everybody Loves YouRelease info:2003—Velour Recordings—VEL-0302 Availability:Wide Ecto priority:Highly recommended Group members:Kaki King—guitar Produced by:Kaki King Comments:A very enjoyable album, reminiscent of Michael Hedges, but not derivative. A lot of the tracks are very melodic, and some are more experimental/noodly, but overall it's very accessible to people who aren't very into solo guitar records. My guess is that it's pretty engaging as well for people who are. (JoAnn Whetsell) Legs to Make Us LongerRelease info:2004—Red Ink/Epic—WK 92426 Availability:Wide Ecto priority:Highly recommended Group members:Kaki King—guitar Guest artists:David Torn—additional drums (3); bass (4); string arrangement (4); piano (4, 11) Produced by:David Torn Comments:I like Kaki King's debut album, Everybody Loves You, but for me her second album, Legs to Make Us Longer, is where she really gets going. The songs all feel like complete compositions unlike some of the exploratory pieces on Everybody Loves You. Overall they're more dynamic and more percussive, and not just the 3 songs that feature additional performers. The playing is very assured; she really attacks on this album. Stylistically there's a lot of variety. The song "Playing With Pink Noise" is a good one to check out as an example. The video is widely available on the internet (and is also included on the CD) and also gives a sense of play and fun that the album exudes. (JoAnn Whetsell) ...until we felt redRelease info:2006—Velour Recordings—VEL-0604 Availability:Wide Ecto priority:Highly recommended Group members:Kaki King—guitars, baritone guitar, acoustic guitar, lap steel, pedal steel, bass, bass drum, brushes, bells, a bowl of corn, harmonium, shakers, vibes, tuned disc, array m'bira, distortion, piano swells, accordion, synth bass, drums, vocals Guest artists:John McEntire—vibes, dulcimer, Wurlitzer, drums, synth, programming Produced by:John McEntire; additional production on tracks 1-3 and 9 by John Clifford Lane Comments:More experimental and not quite as accessible as the previous two albums. There's more extensive use of vocals and supporting players and instruments. The album is more complex, more atmospheric/moody, more jazz-influenced. But it's a mostly successful transition from solo artist to collaborative musician. I generally prefer the instrumental tracks, and overall I like the second half of the album better—especially "Second Brain," "Soft Shoulder," and the terrific "Gay Sons of Lesbian Mothers." (JoAnn Whetsell) Dreaming of RevengeRelease info:2008—Velour Recordings—VEL-0804 Availability:Wide Ecto priority:Highly recommended Group members:Kaki King—acoustic, electric, slide guitars, lap steel, pedal steel, bass, keyboards, drums, percussion, tears, vocals Guest artists:Malcolm Burn—keyboards, piano, bass, percussion, electric guitar, harmonica Produced by:Malcolm Burn Comments:Kaki's best album to date. ...until we felt red was a transition album, and with Dreaming she's arrived. Her singing is more assured, and her guitar work is as solid as ever. This is a great album all the way through. (JoAnn Whetsell) Mexican Teenagers EPRelease info:2009—Velour Recordings—FRYCD386 Availability:Wide Ecto priority:Highly recommended Group members:Kaki King—guitars Guest artists:Dan Brantigan—EVI Comments:Kaki King starts out going for hard rock on this instrumental EP, but then backs down a bit, so while some of the sound is more abrasive than I usually go for, it's still very much her. I enjoy this little foray into unexpected territory. (JoAnn Whetsell) JuniorRelease info:2010—Rounder Records—11661-3283-2 Availability:Wide Ecto priority:Highly recommended Group members:Kaki King—vocals, guitars and keyboards Guest artists:Dan Brantigan—EVI, horns, piano and keyboards Produced by:Malcolm Burn Comments:Not quite as good as Dreaming of Revenge (my favorite), but still a really good album, one that bears the influence of some of the edgier territory she explored on the Mexican Teenagers EP. (JoAnn Whetsell) GlowRelease info:2012—Velour Recordings—VEL-1206-2 Availability:Wide Ecto priority:Highly recommended Group members:Kaki King—guitars, percussion & things Guest artists:D. James Goodwin—additional sounds Produced by:D. James Goodwin Comments:Glow has quickly come to rival Dreaming of Revenge as my favorite Kaki King album. The single best word to describe it is color; it's just full of color, a wide range of them. It's her first all instrumental album in years, but there are new sounds, including strings on "Great Round Burn" and Celtic influences on "King Pizel," one of my favorite tracks. It's eminently listenable; I have literally played it over and over, back to back. (JoAnn Whetsell) Further info:Kaki King worked with Michael Brook and Eddi Vedder on the Golden Globe-nominated score of the film Into the Wild. Thanks to JoAnn Whetsell for work on this entry.
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